Pan’s Labyrinth (2006)
Pan’s Labyrinth,
written and directed by Guillermo Del Toro, is a Spanish-spoken dark fantasy
film about a young girl named Ofelia who encounters a faun which claims that
Ofelia is a princess from another realm and must complete three tasks to prove
herself. During her quest to fulfill
these tasks, Ofelia encounters various mystical creatures which guard certain relics
that she must retrieve and return to the faun.
Ofelia completes the first task with ease and is given her second task
from the faun, this time with strict warnings.
Ofelia fails to heed these warnings but still manages to complete the
task, much to the faun’s disappointment.
After some time, the faun returns and forgives Ofelia for her mistake
and gives her the third task, which is to retrieve her newborn brother and
bring him to the labyrinth. Ofelia
retrieves her brother from her crazed step-father who chases after her to the labyrinth. There the faun tells Ofelia to hand over her baby
brother so he can use some of his blood to open the portal to their realm. Ofelia refuses and the faun disappears right
as her crazed step-father arrives and shoots her dead. Ofelia’s blood spills into the labyrinth and
she wakes up in a mystical castle where she is appointed princess.
The
cinematography, production design, and theme all work together harmoniously to
create a dark yet magical film. The
element that contributes most to make this such a great film is without a doubt
the flawless production design. Special
effects, makeup, and CGI all contribute to making the mystical creatures in Pan’s
Labyrinth come to life. One design
choice I was particularly happy about was the choice to make the two main
creatures, the faun and the Pale Man, live actors with heavy makeup and
costumes rather than creating them purely with CGI. The excellent set design and lighting of the actual
labyrinth creates a world within a world which is hard to describe in words. The unique storyline of this film also sets
it apart from the mass of stereotypical fairy tale movies. Unlike typical fairy tale movies, the
characters of Pan’s Labyrinth actually seem like real people facing real
problems. This heavy focus on realism sprinkled
with Ofelia’s fairy tale encounters can induce quite the noggin’ scratcher on
whether Ofelia is actually interacting with these mystical creatures as we see
or if she is actually imagining them.
This realization was the one thing above all else that made me realize that
this was an excellent movie, after it was over it made me think, and rethink,
to the point that I wanted to watch it again.
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